Senderos De Violencia – Oswaldo Estrada

Thanks to Oswaldo Estrada for using my Blue Circle  Intervention Photograph from Laredo, Texas for the cover of this book.

Estrada, Oswaldo, ed. Senderos de violencia. Latinoamérica y sus narrativas armadas. Valencia: Albatros (Serie Palabras de América), 2015. 368pp.

I circled the objects left by immigrants on the border with a protective blue chalk circle….so passersby could see them and know they weren’t just trash but symbols of identities left behind, great risk, individual journeys and hopes for a better life in the U.S.

Five great local visual art shows of 2015 by Chris Vitiello

Five Great Local Art Shows of 2015 by Chris Vitiello

Thanks to Chris Vitiello for his shout out in this article mentioning Susan Harbage Page/Rachel Meginnes: Recent Work, an exhibition earlier this year at Light Art + Design this spring. 
And thanks to Chris Vitiello for all that he does to keep our arts scene vital in the Triangle Area.
http://m.indyweek.com/indyweek/five-great-local-visual-art-shows-of-2015/Content?oid=4957674

“Cross the Border: An Art Action” humanizes a conflicted border

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 “Cross the Border: An Art Action” humanizes a conflicted border
Artist Susan Harbage Page invites others to join her in a day of border crossings
Susan Harbage Page invites you to “Cross the Border” with her this Saturday, December 19 from 8 a.m.-4 p.m at the Gateway International Bridge between Brownsville, TX and Matamoros, Mexico. In this group art action, Harbage Page, a visual artist based in Chapel Hill, NC, intends to see how many times she can cross the border in an eight-hour period.
“I’m asking why information, technology, goods, and culture can pass freely over international borders, but bodies can’t. Why my privileged white body has permission to cross this border while other bodies don’t,” Harbage Page says. “Why must thousands of people annually put their bodies at great risk to walk the same path I walk easily, in an attempt to be safe, provide for their families, and simply belong?”
Since 2007, Harbage Page has made annual pilgrimages to the Rio Grande Valley and Brownsville, TX to work on her U.S.–Mexico Border Project. As she walks, bikes, and canoes along the border, the project has developed in three movements: photographs of the changing landscape, an archive containing over 1,000 objects left behind on the border by people migrating north, and a series of yearly site-specific performances ranging from a temporary floating bridge made from children’s inner tubes (2009) between Brownsville and Matamoros, to a protest—laying down in the middle of the bridge between Nuevo Progresso and Progresso (2012) in an attempt to humanize the border, a line most U.S. citizens think of as a straight black line on a map.
By joining Harbage Page during a day of border crossings, people can help make the Rio Grande/Rio Bravo a place where cultures can meet in personal exchange, rather than exist in separation.
This project is sponsored by Galeria 409of Brownsville, TX.
For more information, visit susanharbagepage.blogspot.com or contact Susan Harbage Page at susanharbagepage@gmail.com or 919-260-1602.
Susan Harbage Page is a visual artist with a background in photography and site-specific installation. Her work explores immigration, race, gender, and nation. For almost ten years she has been making annual pilgrimages to the U.S.–Mexico Border to photograph the objects left behind by immigrants as they enter the United States. Her work is currently on view at the Baltimore Museum of Art in the exhibition “Imagining Home.”  Harbage Page has exhibited nationally and internationally in Bulgaria, France, Italy, Germany, Israel, the United States, and China. Amongst Page’s numerous awards are fellowships from the North Carolina Arts Council, the Camargo Foundation, and funding from the Andy Warhol Foundation and the Fulbright Program.
Susan Harbage Page is an Assistant Professor in the Department of Women’s and Gender Studies at the University of North Carolina at Chapel Hill. She received the Carolina Women’s Center Faculty Scholar Award UNC (2014) and a fellowship from the Institute for the Arts and Humanities UNC (2015).
She received her B.M. and M.M. (saxophone performance) from Michigan State University and an M.F.A. (photography) from the San Francisco Art Institute as well as a Certificate of Knowledge of the Italian Language from the University for Foreigners in Perugia, Italy.

Il Sangue Delle Donne, Rome, Italy—Opens October 30

Informazioni
Dal 30 ottobre al 13 novembre 2015
inaugurazione venerdì 30 ottobre ore 18:00
Il sangue delle donne. Tracce di rosso sul panno bianco

Alessandra Baldoni | Rita Boini | Giovanna Caimmi | Maïmouna Guerresi | Susan Harbage Page |
Silvia Levenson | Anja Luithle | Patrizia Molinari | Elly Nagaoka | Sonya Orfalian | Paola Romoli
Venturi | Virginia Ryan | Ivana Spinelli | Ketty Tagliatti

da un’idea di Manuela De Leonardis
a cura di Manuela De Leonardis e Rossella Alessandrucci
orari: lunedì – venerdì ore 16:00-20:00 e su appuntamento
ingresso libero
organizzazione: associazione culturale La Stellina
http://www.lastellinaartecontemporanea.com
lastellina05@gmail.com
0039 3342906204

Leaders Under 40

Connecting Across Difference to Lead & Serve.

As part of Community Building Initiative’s mission to increase the capacity and commitment of individuals and organizations to work for change, CBI itself is committed to convening groups of leaders interested in creating a more just, more inclusive community.

Artist Susan Harbage Page was the guest speaker for a session on Leadership and Privilege in Charlotte on August 26, 2015. Participants examined their own privilege and participated in the “Privilege Walk.”    Leaders Under 40


Biz People Learn to Unlock Creativity From Artists by Aaron Dalton

I’m delighted to announce that Americans for the Arts has just published The pARTnership Movement essay Foster Critical Thinking featuring the case study on the McColl Center for Art + Innovation.
By Aaron Dalton

Here is a direct link to the Foster Critical Thinking essay – http://www.partnershipmovement.org/upload/web-files/other/pARTnership_CriticalThinking.pdf

 According to the 2008 Ready to Innovate report by The Conference Board, Americans for the Arts, and the American Association of School Administrators 97% of U.S. business executives agree that creativity is becoming more important in the workplace, 85% of U.S. executives looking to hire creative people say they cannot find enough qualified applicants and 61% of U.S. executives say that employers have the responsibility to instill creativity in the workforce. Learn how can companies encourage creativity among their employees in order to drive innovation in our pARTnership Movement essay.

Imagining Home at the Baltimore Museum of Art

Imagining Home

Baltimore Museum of Art, Maryland

From October 25, 2015 — June 1, 2018

The inaugural exhibition for the BMA’s new Center for People & Art brings together more than 30 works from across the BMA’s collection to explore the universal theme of home.

Nest, Laredo, Texas, Susan Harbage Page

Including:

Arrivals & Departures: Objects that show a world of constant transformation and movement include Alfred Stieglitz’s Steerage (1907) photograph of passengers boarding a ship, Susan Harbage Page’s Hiding Place No. 3, Laredo, Texas (2011) large scale photograph of a temporary shelter for someone crossing the U.S./Mexican border, and an ancient Nayarit Model House (c. 200 A.D.) created for the afterlife.

http://artbma.org/exhibitions/imagining-home