Opening at Light Art + Design This Weekend in Chapel Hill

         

Colletto No. 4 , 42 x 42 inches, Guache on Paper, Susan Harbage Page
STITCH
Please join us for the opening receptions
Friday, September 13, 6-8pm
Saturday, September 14, 6-8pm 

Featuring new works by:

Beverly Dawson  *  Peg Gignoux  *  Robin Johnston * Harriet Hoover* Carolyn Nelson* Susan Harbage Page *Lynda Sanders * Leigh Suggs * Amy Tavern
September 13 – October 26, 2013
Light Art + Design
601 W. Rosemary St. Chapel Hill, NC 27516
919-942-7077


High Museum of Art, Atlanta

Happy to say I have work included in this upcoming exhibition.

Sally Mann, Jessie Bites, 1985, printed 1995
Sally Mann
Jessie Bites, 1985, printed 1995
Gelatin silver print
Purchase with funds from Lucinda W. Bunnen for the Bunnen Collection
1995.176
 
 
September 7, 2013–February 2, 2014
  This installation of key photographs from the High Museum’s famed Bunnen Collection celebrates the important legacy of Lucinda Bunnen, one of the South’s most dedicated photographers and arts advocates who has helped the Museum acquire work for more than thirty years. With over 650 works in the Bunnen Collection to select from, this exhibition features some of the rarest and most valuable photographs in the High’s permanent collection.

High Museum of Art
1280 Peachtree Street, N.E.
Atlanta, Georgia 30309 

CAKE – NEW PUBLICATION

CAKE
The dessert culture between Arabic and Western traditions
 
CAKE will be presented May 31 at 10:00 am at the Caffè Quadri, Piazza San Marco – VENICE (55. Biennal of Venice) and on 10 June in Rome at 6:30 pm at Doozo, Via Palermo 51/53 – Rome (closing event of the III edition of Cerealia)
 
Curated by Manuela De Leonardis
promoters Marimo – brandlife designers and M.Th.I. Music Theatre International 
cm 16,5×23, 144 pages, b/n and color, paperback with stitched binding, € 20,00 (deluxe € 40,00)
Italian/English
ISBN 978-88-98391-08-0
Postcart / May 2013
 
Cake is a book of art and cooking that contains a dialogue between recipes and the works of nineteen international artists – Hassan Al-Meer, Paolo Angelosanto, Yto Barrada, Beatrice Catanzaro, Maimuna Feroze-Nana, Parastou Forouhar, Maïmouna Patrizia Guerresi, Susan Harbage Page, Reiko Hiramatsu, Uttam Kumar Karmaker, Silvia Levenson, Loredana Longo, MAD_Angela Ferrara e Dino Lorusso, Şükran Moral, Ketna Patel, Pushpamala N, Anton Roca, Jack Sal, Larissa Sansour – who have interpreted its content. 
A voyage through knowledge; contaminating languages that are characterized by flavours, colors, and various aromas.
 
Cake is a non-profit project in support of BAIT AL KARAMA. All the artists, authors of texts, graphic design, sponsors and media partners have donated their efforts to the project with the aim to support the cooperative of Bait al Karama. The Nablus Palestinian women who have given birth to the first Palestinian Cooking School (Palestinian Slow Food Convivium in Palestine) along with Fatima Khaddoumi, Cristina Bottigella and Beatrice Catanzaro.
 
 
You can preorder a copy of the book by writing to info@postcart.com

 

Nasher Museum of Art at Duke University – Pavillion III

Works by Susan Harbage Page, Pedro Lasch and Yinka Shonibare will be exhibited at the Nasher Museum of Art’s Pavillion III,  July 20 – December 1. The installation will include selections from Susan Harbage Page’s U.S.-Mexico Border Project.

Homemade Flotation Device, Brownsville, Texas, 2008

Nasher Museum of Art at Duke University
2001 Campus Drive, Durham, NC 27705 
Duke University
http://www.nasher.duke.edu/

Institute for the Arts and Humanitites at UNC

New Faculty Microtalks

Susan Harbage Page, US-Mexico Border Project: Recent Art Interventions

Monday, April 8, 4:30pm
Hyde Hall, UNC Chapel Hill
Institute for the Arts and Humanities
My Mother’s Teacups, Rio Grande River near McAllen, Texas, 2012

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These are my mother’s Bone China Teacups that she brought back from England (where my ancestors are from) that I carried to the Border and photographed, to reference the idea that we are all immigrants.
Humanizing the Border, Boundary line on the
 Nuevo Progresso Bridge
between the United States and Mexico, 2012
After speaking at a conference on the Inner German Border in Hannover, Germany earlier this year, I started thinking about ways to humanize the border; questioning the ways in which border lines are created or drawn, usually by a group of people far away from the site looking at a map.

Work at the Nasher Museum of Art

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Light Sensitive: Photographic Works from the North Carolina Collection at the Nasher Museum of Art at Duke University, February 14 – May 12, 2013.
Recurrence, Susan Harbage Page
This exhibition includes more than 100 works drawn from leading North Carolina collections, both public and private, assembled through the dedication and vision unique to each individual collector. Harbage Page’s work is from her photographic series Involuntary Memories made during her stay at the Camargo Foundation in Cassis, France addressing Proust’s idea of Involuntary Memory.
Light Sensitive: Photographic Works from North Carolina Collections
Nasher Museum of Art at Duke University
Exhibition February 14 – May 12, 2013

Lo strappo della storia, conversazione con merletti / History’s pull, conversations with lace

Susan Harbage Page. Lo strappo della storia, conversazione con merletti / History’s pull, conversations with lace
Curated by Manuela De Leonardis
with essays by Manuela De Leonardis and Lia Newman


Exhibition Opening March 7 at 6pm
Rome Italy
March 8 – April 25, 2012

The Casa della Memoria e della Storia is an institution of Roma Capitale
See Merlettti Page on this blog for more images from the exhibition.
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“Taking old embroideries/doilies/laces and graphically retracing their borders, Harbage Page carries out a conceptual operation. She places the embroidery or the doily under a sheet of hand-made translucent paper and, with ink that is prevalently black but also magenta, she re-codifies its design.
In the passage from artifact to work of art, the American artist thus reconstructs the most intimate matrix of the object, endowing the hand of the woman who made it with a metaphorical identity.”
Manuela De Leonardis 
(excerpt from the upcoming catalogue that will accompany the exhibition)

Memorialization of the Inner German Border

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Die Zukunft der Erinnerung an die innerdeutsche Grenze (The Memorialization of the Inner German Border, Leibniz Universitat, Hannover Germany, September 2012.

Panel – Approaching the Phenomenon of Borders

Moderation: Ben Thustek (Teistungen)
Prof. Dr. Astrid M. Eckert (Atlanta, USA)
The effects of the inner-German Border on the old Republic of Germany
Susan Harbage Page (Chapel Hill, USA)
U.S.– Mexico Border Project and Anti-Archive
Gunnar Maus (Kiel)
Landscape of memorization: Placing the memories of the Cold War in a geographical
perspective