Residues of Border Control



NEW BORDER PUBLICATION
Residues of Border Control in Southern Spaces
Susan Harbage Page and Inés Valdez

Striped Clothing, Brownsville, Texas, 2008

Overview:
Since 2007, Susan Harbage Page has photographed objects left at the U.S.-Mexico border, both on site in the Rio Grande Valley, and in her studio. In this photo essay, Inés Valdez comments on the significance of Harbage Page’s images of the traces left by immigrants and by those who control the border. Valdez’s discussion also challenges the historical representation of the U.S. as a welcoming “nation of immigrants.”
http://southernspaces.org/2011/residues-border-control

Passing Through Security

On the way to do a workshop and talk at Western Illinois University “The White Box” passes through security at the Raleigh/Durham International Airport. We arrived on time with no delays.
White Box Performance
White Box and Susan Harbage Page,
White Box, 12″ x 12″, December 9, 2010

Video from the North Carolina Governor’s Conference for Women

Women’s Conference Artist Susan Harbage Page News 14com

Artist Susan Harbage Page is an artist and faculty member of UNC Chapel Hill She does largescale photographs altered textiles videos and installations that 






Examining Race and Privilege on A Personal Level
Artist Susan Harbage Page will challenge how you define yourself, your status and your natural ability to influence during this interactive workshop. Through art-making, life experiences and acute self-awareness, Susan possesses a deep understanding of the societal norms that guide everything from policy to daily occurrences. You will leave this session sponsored by Innovation Institute at McColl Center for Visual Art with penetrating insights into how preconceived thinking impacts your world.   
Speaker: Susan Harbage
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